1829-1912  Related Paintings of william r clark :. | tva ar senare flog fransmannen fean pierre blanchard och amerikanen fohn feffries aver engelska kanalen fren dover till en punkt nara calais | eskimahuset,igloon ar giort av snoblock,som ar utskurna ur den harda snon och upplagda i halvklotform | john mcdouall stuart hissar brittiska flaggan vid van diemensbukten nara den nuvarande staden darwin dit han kom efter att ha genom korsat kontinenten | fargteckiningen nedan ar en medlem i en sladpatrull i fard med att forbereda sig for overnattning utanfor baslagert | aldert smith forelaste med ljusbilder under sex dr i londom om bestigningen av mont blanc 1851. detta bevisar det stara intresset for bergsbestigning |
Related Artists:
David Cox
David Cox [English Painter, 1783-1859] English painter. After taking drawing lessons from Joseph Barber (1757/8-1811) in Birmingham, Cox worked briefly as an apprentice to a painter of lockets and snuff-boxes named Fieldler. This was followed about 1800 by a longer period painting scenery for the New Theatre, Birmingham. On the promise of similar employment at Astley's Amphitheatre in Lambeth, Cox travelled to London in 1804, but when this came to nothing he decided to make his name as a watercolour painter. He began exhibiting at the Royal Academy in 1805 and from 1809 until its demise in 1812 with the Associated Artists in Water-Colours, of which he became both member and president in 1810. He was elected an Associate of the Society of Painters in Water-Colours in 1812 and within a month had advanced to full membership.
Thomas Charles Farrer
painted Mount Holyoke in 1865
CRIVELLI, Carlo
Italian Early Renaissance Painter, ca.1430-1495 He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century,